Showing posts with label Best actress. Show all posts
Showing posts with label Best actress. Show all posts

Friday, February 15, 2013

#45 Zero Dark Thirty (2012)

Directed by Kathryn Bigelow. Written by Mark Boal.


SPOILER ALERT!!! We get Osama. (Or "UBL" as they like to refer to him in the movie.) I know I for one was sitting on the edge of my chair wondering. But yes, we do get him.

This movie was intense and forced you to pay attention almost to an extent that was tiring. However, it wasn't as smart of a movie as I had hoped. I very much dislike when "intelligence"-themed movies try to seem like they are smart by primarily making all the interactions slightly confusing. This movie was filled with a lot of jargon and incomplete conversations. I don't know if that sort of storyline makes other viewers think that they are using their brain a lot to follow the movie. For me, I really enjoy an "intelligence" movie when there is some actual intelligence involved in making the connections to either figure out whodunnit or find the bad guys. You know, where there's an actual point in the movie like a revelation, like, "wow, that took some smart thinking to figure that one out." Or, I don't know, at least used some sort of cool technology to outsmart the bad guys. There wasn't any moment like that in this movie. In fact, in many scenes I came away thinking how stupid the CIA was and how in reality they wouldn't have fucked it up like that at all. Namely, the upper al-Queda member who has been turned by Jessica, a CIA agent and best friend of Maya the main character, who the guards hesitatingly let through the checkpoints into the CIA black site simply because Jessica tells them to because now he's on their side. I think you can predict fairly well what happens at the end of this scene. Talk about a tense moment. Except for the fact that you could foresee it happening long before it does, and there are about a million "they would never have done that" moments involved. Anyway, as I was touching on before, there isn't really a very good connect-the-dots storyline of how they eventually get to UBL. They kinda just decide to try to find someone that no one wants to talk about regardless of how much they torture them and because he's acting kinda funny, like doing everything possible to not be tracked (a sure sign he's an important bad guy), and then the first moment they do find him, he just leads them right up to the compound by..... driving to it.

A lot of reviewers have commented about the use of torture in this movie and the movie-makers' stance on whether it was allowable or some say made even to look justifiable because it lead to finding Osama. I didn't much care for that aspect of the movie. Torture was bad. Osama was bad. I don't feel really strongly one way or the other about the fact that we got him. I'm really not a big "Yeah us!" proponent, so I didn't do any summersaults or anything when I heard that they killed him. I believe much more strongly that the anti-American sentiment throughout much of the rest of the world doesn't stem from terrorists and their inherent evilness as much as from our own foreign policy and the fact that corporate profits far and above anything else dictate national policy when it comes to oil-producing regions and the impoverished people that live there. But, the best review I came across of this movie was from an old classic movie reviewer, Roger Ebert (and he really went against the grain of what most other reviewers have been saying):
"The film's opening scenes are not great filmmaking. They're heavy on jargon and impenetrable calculation, murky and heavy on theory." He went on, "My guess is that much of the fascination with this film is inspired by the unveiling of facts, unclearly seen. There isn't a whole lot of plot – basically, just that Maya thinks she is right, and she is."
He gives it three stars out of four. And I give it 4 stars out of five.

Saturday, January 19, 2013

#13 Winter's Bone (2010)

By Debra Granik.



I decided to watch this one after we had made plans to see Silver Linings, since I hadn't ever seen Jennifer Lawrence in anything, and since she appears to be the current talk-of-the-town (or "the most talented young actress in America" according to Rolling Stone), I wanted to do a bit more investigation.

This movie is much better than Silver Linings, and the actress is much better in this one, even though according to some, Silver Linings is a "career-defining performance." This movie (Winter's Bone) kind of does give her all the prerequisites to get a best actress nomination. She plays the teenage poverty-stricken girl with the crazy mom, meth-cooking dad, taking care of her younger brother and sister by hunting squirrels, bringing them up right or at least as best she can, being too proud to beg, but is forced to track her missing dad in the underworld of hillbilly meth-cookers so she can save their house since he put it up for bond. You know what that takes? That takes courage. And she's got it. Oh, and then she unfairly gets her ass kicked so she gets the opportunity to be all bloody and then still look like a bad-ass with a swollen up face while still being beautiful in her grittiness. Honestly, I don't know how she didn't get the oscar. (I guess Portman was just more rawer.) Anyway, I could go on and on, but the movie is good. My ranting is more to complain about the Academy Awards than about this movie. I liked this movie a lot. I give it 4 stars. And Jennifer Lawrence was good. You should watch it.

Wednesday, January 9, 2013

#7 - Hannah Arendt (2012)

By Margarethe von Trotta. Tour de force performance by lead actress Barbara Sukowa.

Incredible work!


A must.


We chose to see this one because it will be the opening night film in SIFF's Women in Cinema mini-festival. And indeed, Hannah Arendt is an incredible woman. 

Labeled a "self-hating Jew" by her contemporary "intellectuals", Ms. Arendt apparently initiated the necessary and wonderfully difficult debate over the Holocaust and the roots of the evil that caused it. The meat of the movie starts when Hannah, a well-respected German-Jewish emigrant philosopher, concentration-camp survivor, and author of "The Origins of Totalitarianism", is asked to report for the New Yorker on the trial of recently arrested Nazi chief Adolf Eichmann in Jerusalem. Her highly controversial report correctly identifies the crime as too huge for any individual to be held responsible and Eichmann as simply too miniscule a cog in the totalitarian machine–a participant in the "final solution" without individuality in the least–even to the point of not being able to think. He, in fact, only acted according to the oath he had taken to always obey the fuhrer, and never acted of his own volition or even to think his own individual thoughts. He never killed anyone. All he did was load the victims onto the trains. What happened to them after that wasn't his responsibility, and therefore none of his concern. He was just a correctly functioning lever in a well-oiled machine.

The main contention her Israeli and American colleagues and friends had with her report stemmed from her delving deeper in her attempt at understanding the complexity of the phenomenon and her failing to admit the complete inculpability of the Jewish leaders. They too had fallen into a system in which their individuality had been taken from them. The victims, as the perpetrators, were unable to veer out of the confines of the machine of the totalitarian system. There was no freedom of choice, freedom to act, or freedom of thought. They only did what they were told. This system wasn't only in Germany. It pervaded all of Europe. Her detractors never forgave her for this betrayal. However, to her, these issues had to be brought up and examined. We all know what people who fail to understand history are destined for. Very much the intellectual, she adequately defended herself by explaining her position on Eichmann, "trying to understand him is not the same as forgiving him." If only more historians were like her...

Truly gut-wrenching, both sides of this argument are so terribly painful. As her close friend and strongest admirer admonishes her at the end with tears in his eyes, "you act like one of the superior Germans lecturing us inferior Jews! You forget that if you hadn't escaped the camp, they would have killed you too!" 


Monday, January 7, 2013

#5 - Shadow of a Doubt (1943)


By Alfred Hitchcock. Starring the lovely Teresa Wright who is rapidly becoming my favorite actress. I've only also seen her in The Best Years of Our Lives, which I saw sometime last year and was instantly captivated by her. After seeing Shadow of a Doubt, I didn't realize it was the same actress even though the character definitely reminded me of someone I had seen in a similar movie. Once I looked her up and saw her filmography, I was instantly reminded of how I had fallen for her in the Best Years. Quite an interesting Hollywood persona, as well. One of the only actors (if not the only) to be nominated for an academy award for her role in each of her first three films.
"Are they? Are they, Charlie? Are they human or are they fat, wheezing animals, hm? And what happens to animals when they get too fat and too old?"